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Hilton Als: Stephen Sondheim on fraternal love and finance. (The New Yorker)
No one wants to leave a Stephen Sondheim show feeling like a dummy, but sometimes people do. It’s a sign of inestimable chic to claim to “get” the composer’s dense, perverse, and demanding work on first hearing, but it’s also an intellectual impossibility, even among the musical cognoscenti. Following the . . .
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